Edmontone Studio - Recording Studio in Edmonton

Colin Lay

Dorgan — Tue, 17 Jan 2012 06:57:08 +0000

I was very saddened to hear that Colin Lay passed away. Colin was my, and many of my friends’ and peers’, recording instructor at Grant MacEwan College. I can’t overstate how much I learned from him in just one year. He was incredibly knowledgeable about the physics and the art of recording, a thorough teacher, and he listened intently. He was one of the (younger) trailblazers of recording in Edmonton and contributed to the music scene immensely. Not just on record, either; if you’ve seen live music in Edmonton, particularly at The Sidetrack Cafe or The Edmonton Folk Music Festival, you’ve probably heard Colin’s live sound. I always appreciated his no-nonsense attitude. He wasn’t one to flatter, so if he paid you a compliment, it meant something. Thank you, Colin, and rest in peace.

Mastering Session at Abbey Road Studios

Dorgan — Wed, 17 Aug 2011 04:44:02 +0000

Once again I knew I was going to be in London so I brought an album to the magnificent Abbey Road Studios to have mastered. Last summer we did Peter Belec’s ‘Melodic Miner’ disc with senior mastering engineer Peter Mew (David Bowie, The Beatles, Paul McCartney, etc., etc.) and this time it was the excellent Geoff Pesche (Gorillaz, Radiohead, Cadence Weapon) mastering Ido Van Der Laan’s upcoming album, title TBA. Here are some of the very nice and informative comments Geoff made during the mastering session. I wrote them down right away and as close to vertabim as I could.

“You’ve got the guitars recorded really nicely.”

“I like his voice. Nice.”

“It’s cost effective to master here when the mixes are good; if they were rubbish the bill would be [expensive].”

“I’m doing not a lot to these [mixes], so well done.”

“Wherever you’re going in your control room to get this, keep going there.”

“That sounds great. Please come see us again because this is a breeze.”

“You didn’t find the microphone you used to record that guitar in an alley.” (When I told him I found the bass drum I was playing on that song in an alley! It was a Royer R-121 blended with a Neumann KM 183, by the way.)

“Didn’t have to boost the mid range in any of them ’cause the vocal is present and the guitars are loud.”

“Well done!”

Geoff really wasn’t compressing or limiting very much at all. On some songs the passive compressor was knocking off 2, 3 or 4 dB, and the limiter not much more than that. He credits the loudness of the master to the EMI TG 12410 Transfer Console, which was being run quite hot. It sounds amazing.

Some songs were transferred ‘flat’, or without any equalisation at all. For this one we were boosting 16kHz by 1 dB, medium blunt.

Needless to say I had a blast. While we were waiting for the reference CD to write Geoff showed me how their Neumann record cutting lathe worked and even cut a few seconds of one of Ido’s song into an acetate.

Stay tuned for Ido Van Der Laan’s awesome album!

Ann Vriend Video Shoot

Dorgan — Fri, 15 Jul 2011 18:14:38 +0000

AV was just in to record solo piano and vocal and shoot a video for a song commissioned by the Canada Tourism Commission. With Ann, 3 videographers, and their lights, it got pretty warm in the piano room.

New Tim Gilbertson Videos & Free Song Downloads!

Dorgan — Fri, 22 Apr 2011 05:14:50 +0000

We recorded these two songs live off the floor (minus vocals) and now, only days later, they’ve been made into awesome videos and are available for download from Tim’s website. These guys are going to be piling into their steal of a Rock Van and touring across the country this Spring and Summer. Watch . . . → Read More: New Tim Gilbertson Videos & Free Song Downloads!

Bill George on the kit

Dorgan — Thu, 03 Mar 2011 23:02:30 +0000

Here’s a little video of Bill “Furious” George (of Red Ram and Modo Trio) playing the drums on a session for artist CameronSound. When you’ve got a pro drummer like Bill playing, the session almost engineers itself. I find I need to use way less EQ and compression for a great player. (Of course I still smacked Bill’s kit with a pair of Distressors because I can.) Shaping up to be a fun project, inspired by Massive Attack, Radiohead, Portishead, and of course Harry Nilsson.

Soul?

Dorgan — Wed, 23 Feb 2011 05:23:15 +0000

I just read this quote from legendary producer Jerry Wexler: “Time and again I have found that flagrantly artificial attempts at melisma are either a substitute for real fire and passion or a cover-up for not knowing the melody… Please, learn the song first, and then sing it from the heart.” Truer words were never spoken.

Keyboards for Kaley Bird

Dorgan — Thu, 17 Feb 2011 20:08:56 +0000

On the other side of the glass today! I played some Hammond B-3 organ and Wurlitzer piano on a couple songs of Kaley Bird’s, with producer / engineer Terry Tran (pictured) at the helm. Great songs, lots of fun.

Michael Amirault in session

Dorgan — Mon, 24 Jan 2011 04:15:53 +0000

Producers Brad Smith and Fred Brenton (a/k/a The Fredditor) were in session this weekend with awesome young artist Michael Amirault. They’re working on an EP called The Most Blessed Man.

Bell Jar Blues Band reunion

Dorgan — Tue, 28 Dec 2010 08:51:36 +0000

Those of you who were around Edmonton in the ’90s might remember a band of 9 greasy teens calling themselves The Bell Jar Blues Band and playing funky garage blues. Well, tonight we got together to hang and jam and compare hair loss and heartbreak.

Those who could make it: Adam Rachinsky, Dan Churchill, TJ Winter, Doug Organ, Mike McLaughlin, Big Dave Rachinsky, Eugene Lee, and Khamserk Yawngwhe.

Merry Christmas from Hector The Studio Dog

Dorgan — Mon, 27 Dec 2010 02:53:14 +0000

Photo by Tim Gilbertson.